Coda
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A conclusion and recapitulation of the Eryngium cycle, Coda deals directly with the theme of self-portraiture. The first shot alludes to the end of Erichvon Stroheim's Foolish Wives, where the corpse of the hero-director is dispatched in a man-hole. Other dramatic self-portraits follow: Caravaggio's Goliath, Dante's Sestina (read by the film-maker), and Dürer's Self-portrait with Eryngium. The abandoned villa of Migrazione is revisited. But the finale is hopeful.
Massimo Bacigalupo
DirectorMassimo Bacigalupo , Mariella De Bernardi , Tonino De Bernardi
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Details Of Movie
Director | Massimo Bacigalupo |
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Language | Italian |
Producer |